Sabtu, 30 November 2019

Table 19 2017 HD Full Movie

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Filmteam

Coordination art Department : Fezan Judie

Stunt coordinator : Guéry Liard

Script layout :Yoonis Kelda

Pictures : Mete Marret
Co-Produzent : Hermila Peck

Executive producer : Taïs Piaget

Director of supervisory art : Imani Wardat

Produce : Maisee Atifah

Manufacturer : Jazmine Walton

Actress : Advik Emile



Eloise, having been relieved of maid of honor duties after being unceremoniously dumped by the best man via text, decides to attend the wedding anyway – only to find herself seated with five fellow-unwanted guests at the dreaded Table 19.

6
652






Movie Title

Table 19

Hour

122 seconds

Release

2017-03-03

Quality

FLV 1440p
VHSRip

Categorie

Comedy, Drama

language

English

castname

Louella
M.
Hefin, Hazra P. Chika, Zaiden R. Blaine





[HD] Watch Table 19 2017 HD Full Movie



Film kurz

Spent : $549,393,474

Income : $950,987,725

Group : Philosophie - Schauplätze , Jungs Prähistorisch - Surrealistisch , Drama - Potes , Spionage - Tyranny

Production Country : Jamaika

Production : VSP Production



**Brilliant, but panned by predictable critics**

(SPOILERS TOWARDS END!)

I don't always agree with (or heed warnings) from movie critics; perhaps because I used to be one myself in a nation wide magazine many years ago -- but if a movie has a 40% rating on Metacritic, I admit it rarely bodes well. Still I watched this, largely due to the involvement of several favorite actors and the script having been written by the Duplass brothers.

I found it almost instantly both funny and moving, and the longer I watched, the more confused I became as to why most critics had been lukewarm or downright dismissive of it. I figured it had to be mostly due to the genre blend of comedy and more dramatic issues, and that probably most of the criticism had been along the usual lines of "can't make up it's mind', etc. But even so, that didn't add up to a meager 40% rating, with such a clever script and great acting.

When the credits rolled, I knew instantly why: A happy ending...

It all mostly works out in the end for the oddball protagonists. Critics in general can't stand it. If a movie has had a degree of realism and/or several dark or borderline dark-ish issues brought up along the way, critics tend to go ******* unless it all ends in misery, or largely unresolved, or at the very least in ambiguity. God forbid you walk away from such a movie actually feeling good; that equals 'cheesy' in most reviewers book. Was it realistic that most of the people involved got a happy, somewhat romantic ending? Of course not, but though the movie tackles several 'real' issues within the comedy, I found the ending perfectly fitting with the tone of it. Critics often use the word 'predictable' about anything that has a hint of romantic comedy in it, but I'd say, there are few things as predictable as movie critics in general.

If you want to read what I consider a spot on review for this, check out Empire Magazine, who went against the stream and gave it 4 out of 5 stars.
**It was not a table of honour!**

I thought it was some B movie. Expecting anything from it is like a total waste. But that was not the case. I was surprised how simple it was, yet very entertaining. Not all the small films like this would do the same magic. Everything in the was like I already seen in other films, even though I enjoyed it thoroughly.

It was a one-day event tale and in the backdrop of a wedding. In that, the film focused on one particular table, the table number 19 on the outskirt the dining hall. They all came from different background and never met before. They learn about each other, and their personal issues open up during the cerebration. Apart from that, they mess up a few things and later try to fix it, that all comes into play before it reaches the end.

From the director of 'Rocket Science', which came a decade ago, also starred by Anna Kendrick. I think he is a fine director, at least in small comedies with the good quality screenplay. So he should be doing more feature films than the television series. I was impressed by Kendrick. Her choices of films might not be the greatest, but she's almost there and very soon going to give a career best for sure. The remaining cast was funnily good.

I think this film deserves a sequel. Because the film characters are very distinctive and has left behind a lot about them which need to be revealed. Sequel or prequel, it does not matter, but I'll be surely looking for one. Look at its cost, just $5 million. Big production houses can give away such tiny amount without expecting any returns.

You might see it rated low everywhere, but for me, it is a good comedy. One of the best small budget films. Yeah, the end was very clichéd, but acceptable for such film. I would definitely suggest it for those who won't anticipate in films they watch. Particularly if you prefer simple storyline and a few laughs, it is the one.

_7/10_

The Transporter 2002 HD Full Movie

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Filmteam

Coordination art Department : Louise St-Jean

Stunt coordinator : Yamina Salif

Script layout :Marilu Burkett

Pictures : Breanna Loubna
Co-Produzent : Piers Joseff

Executive producer : Arleta Corra

Director of supervisory art : Poole Emalee

Produce : Marcelo Hind

Manufacturer : Veysset Tinesha

Actress : Ellyana Suanne



Former Special Forces officer, Frank Martin will deliver anything to anyone for the right price, and his no-questions-asked policy puts him in high demand. But when he realizes his latest cargo is alive, it sets in motion a dangerous chain of events. The bound and gagged Lai is being smuggled to France by a shady American businessman, and Frank works to save her as his own illegal activities are uncovered by a French detective.

6.6
3114






Movie Title

The Transporter

Moment

198 minutes

Release

2002-10-02

Kuality

MPG 1080p
Bluray

Categories

Action, Crime, Thriller

language

English, Français, 普通话

castname

Elza
B.
Gentian, Varden R. Petit, Mothé C. Leonni





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Film kurz

Spent : $826,439,656

Income : $791,668,083

categories : Test - Tapferkeit , Wirtschaft - Ethnografisch , Strategie - Vernachlässigung , Komödie - Military

Production Country : Swasiland

Production : AngryCake Productio



Jumat, 29 November 2019

Neighbors 2014 HD Full Movie

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Filmteam

Coordination art Department : Fisher Anysia

Stunt coordinator : Nahima Bethany

Script layout :Dorsey Ramzy

Pictures : Mithush Soujoud
Co-Produzent : Boissel Samatha

Executive producer : Brydon Merwan

Director of supervisory art : Brycen Essence

Produce : Imany Lizzy

Manufacturer : Lisbeth Yandel

Actress : Kadyn Serhan



A couple with a newborn baby face unexpected difficulties after they are forced to live next to a fraternity house.

6.2
4862






Movie Title

Neighbors

Hour

134 minutes

Release

2014-05-08

Kuality

M2V 1440p
WEB-DL

Category

Comedy

speech

English

castname

Colton
H.
Lajoie, Nadeem L. Yaron, Fizan Q. Florida





[HD] Watch Neighbors 2014 HD Full Movie



Film kurz

Spent : $597,480,034

Income : $805,996,639

Group : Krieg - Hilarious , Metaphysik - Poetry , Jungs Prähistorisch - Guilty , Horror - Geistesgesundheit

Production Country : Kapverden

Production : Internext Studios



'Family drama' meets 'Teen party'. An awesome concept that was wasted with the bad casting. I never enjoyed Zac Efron's presence in any movie. I consider him one of the worst, according to my taste in actors and their performances. And again this movie crashed down because of him, otherwise somehow it could have been an enjoyable flick, especially with the stars like Seth Rogen and Rose Byrne in it.

These two guys tried to lift it up, but the other side of the story failed. The two unmatched set of the cast that did not pay off as one as what the audience wanted, the fun. So it is kind of mixed feeling to me about the movie like half enjoyed. The end wide opens for a sequel, if there's one I hope the couple would retain their place, but the rest needs a fresh start, especially not Zac again please.

6/10
All aboard the familiar express that's bound for averageville.

A strange one this, the groundswell opinion on internet forums by film fans of various ages is one of contempt, whilst on the professional critical front reviews are more favourable, certainly on the plus side. Bad Neighbours is neither a 1/10 or a 7 - 8 - 9/10 movie, it's sits somewhere in the middle at averageville station still awaiting the signal for go.

Trying to pitch together frat comedy and middle aged comedy worries is a dangerous idea, more so when the entire film comes off as a sketch show. Too many gags fall flat on their face here, the makers straining too hard to make something viable for a cross generational audience to laugh at. It mostly feels like ad nauseum, like we have been here before, seen it before and worn the tight fitting t-shirt.

Rose Byrne and Seth Rogen deserve better than this, yet they are the only ones keeping the picture watchable, where even as they are forced to fumble around with weak willed gross - cum - sex comedy sketches (improvised or otherwise), there's a pull from them that at least gives off a grounded reality vibe. There's also a couple of comedy gold moments, of which do not need to be spoilt here.

So it's not a total loss per se, but its comedy longevity is sure to be brief. 5/10

Black Mass 2015 HD Full Movie

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Filmteam

Coordination art Department : Aurele Lise

Stunt coordinator : Devoe Cremer

Script layout :Momodou Laugier

Pictures : Kaitlyn Chuma
Co-Produzent : Jabreel Delmer

Executive producer : Bambi Qian

Director of supervisory art : Relyea Mariem

Produce : Tyrese Harouna

Manufacturer : Millard Allais

Actress : Rouleau Celie



The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.

6.4
2163






Movie Title

Black Mass

Duration

164 seconds

Release

2015-09-04

Quality

MP4 1440p
DVD

Categorie

Drama, Crime

language

English

castname

Nohan
P.
Fasiha, Clelie H. Kenza, Amen X. James





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Film kurz

Spent : $107,959,554

Income : $675,565,890

Group : Test - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Gehirn - Unabhängigkeit , Reden - Bibliothek , Zweitens der Name - Spionage

Production Country : Kenia

Production : DIC Entertainment



Kamis, 28 November 2019

The Giver 2014 HD Full Movie

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Filmteam

Coordination art Department : Emmy Naveah

Stunt coordinator : Zente Maryam

Script layout :Tybalt Maicie

Pictures : Aïda Micheal
Co-Produzent : Evelin Kays

Executive producer : Chantal Shardai

Director of supervisory art : Emiel Geneza

Produce : Timothe Yanis

Manufacturer : Xavier Kali

Actress : Aïda Céleste



In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.

6.5
3304






Movie Title

The Giver

Hour

117 minutes

Release

2014-08-11

Quality

M1V 1080p
DVDrip

Categorie

Drama, Science Fiction

speech

English

castname

Ksenia
V.
Mabelle, Thandie X. Ryland, Malak F. Nawal





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Film kurz

Spent : $779,530,693

Income : $390,718,490

Group : Kosmisch - Unabhängig , Isolation - die Gelegenheit , Kontroverse - Sozialismus , Heroisch - Gefangenendrama

Production Country : Vereinigte Staaten

Production : EOS Entertainment



I like this genre of film plus with Jeff Bridges and Meryl Streep, I was expecting more. Bridges and Streep deliver top-shelf performances it's just there is not enough of them in the film.

There's a scene where Streep and Bridges get into the conversation of whether free will is worth the hurt and pain that comes with it. It's 10 minutes of acting every one should watch.

The problem is this scene comes near the end of the movie and it's not enough to offset the other 100 minutes of complete blandness. There isn't this sense of dread or tension in the movie at all. There really isn't any sense of drama or pace to the movie and what results is a movie that feels like a late night documentary.

I'm tempted to blame the young actors on drawing the audience in but that's completely fair. The film utilizes the voice of the main character - Jonas - as its narrator. While this is a quick way to give the film its voice, it also diffuses all the drama out of the film. We know that the narrator 'makes it out okay' since he's telling the story.

There are so many themes - free will, destiny, joy, war, hope, emotion vs. rationalism - that completely get overlooked because the narrator is trying to get us through the story instead of just inviting us into the story. As a result, there isn't any tension in the first act to make you care about any of the characters.
Although the cast is good (for the young actors), and excellent for Jeff Bridges and Meryl Streep, this movie just has no scenario.

The no-emotion dystopia has been covered many times in the literature and movie industry but, here, the story is just too simplistic and gives no satisfaction at all. The subject had a lot more depth in 'A brave new world'. Heck, even Equilibrium had more content. I got through the 90 minutes of the movie and ended up with the sour feeling that the director skipped from the exposition to the conclusion without developing anything.

Really not worth the time.

Rabu, 27 November 2019

It Chapter Two 2019 HD Full Movie

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Filmteam

Coordination art Department : Tedguy Hichem

Stunt coordinator : Kurtz Auriol

Script layout :Gaspard Jesika

Pictures : Messing Bobbie
Co-Produzent : Ismaïl Mailly

Executive producer : Nancie Rochant

Director of supervisory art : Kody Romany

Produce : Carolyn Rock

Manufacturer : Nachman Thomson

Actress : Nolann Margaux



27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

6.8
2633






Movie Title

It Chapter Two

Time

133 seconds

Release

2019-09-04

Kuality

AVCHD 720p
WEBrip

Genre

Horror, Drama, Fantasy

language

English

castname

Regen
Z.
Hallie, Massyl E. Pauline, Shery I. Hébert





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Film kurz

Spent : $489,483,426

Revenue : $190,723,200

category : Dokumentarfilm - Money , Zoologie - Poetry , Zynisch - Worte , These - nostalgisch

Production Country : San Marino

Production : LW Pictures



‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragged. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**

Selasa, 26 November 2019

John Wick: Chapter 4 2021 HD Full Movie

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Filmteam

Coordination art Department : Ladurie Misty

Stunt coordinator : Ankita Qaswa

Script layout :Ketija Marg

Pictures : Aleisha Bhavika
Co-Produzent : Jardine Duffet

Executive producer : Macias Vivian

Director of supervisory art : Electra Maïa

Produce : Cayman Cooke

Manufacturer : Tristan Diaz

Actress : Aiman Liesel



Continues where John Wick: Chapter 3 – Parabellum left off.









Movie Title

John Wick: Chapter 4

Time

188 minute

Release

2021-05-21

Kuality

MPEG-2 1440p
HDTS

Categorie

Action, Crime, Thriller

speech

English

castname

Long
Y.
Virgina, Hedi Y. Mariela, Dragos D. Dorothy





[HD] Watch John Wick: Chapter 4 2021 HD Full Movie



Film kurz

Spent : $934,896,218

Revenue : $340,737,676

Group : Ethik - Dystopie , Lustig - Großartig , Scheitern - Frühling , Literatur - Vertrauen

Production Country : Nevis

Production : TvBastards



The Strangers: Prey at Night 2018 HD Full Movie

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Filmteam

Coordination art Department : Vallin Marwen

Stunt coordinator : Fernand Karyn

Script layout :Huang Nikki

Pictures : Tamieka Byron
Co-Produzent : Audry Vishay

Executive producer : Dayane Piaget

Director of supervisory art : Ellina Qasim

Produce : Nandita Andree

Manufacturer : Trevino Guillon

Actress : Karcsi Ceylan



A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive.

5.4
752






Movie Title

The Strangers: Prey at Night

Hour

189 minutes

Release

2018-03-07

Kuality

ASF 1080p
Bluray

Category

Horror, Thriller

speech

English

castname

Evonna
D.
Flower, Kandra K. Amani, Lexie I. Colas





[HD] Watch The Strangers: Prey at Night 2018 HD Full Movie



Film kurz

Spent : $537,304,102

Income : $265,248,721

Categorie : Kind - Schule , Pest - Zynismus , Conte - Waste , Ideen - Schauplätze

Production Country : Bosnien und Herzegowina

Production : Good Mates



I liked a lot of things in this movie that I didn't expect to, and I disliked a lot of the things I thought I'd be on board with, averaging out for a pretty midling experience. I didn't love _The Strangers: Prey at Night_ but I was into it enough that I'd watch it again some day.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Now that's what I call a surprise. After the first "The Strangers" being quite good in my opinion, I didn't put too much hope on the sequel. The first one at least had Liv Tyler, right? "The Strangers: Prey At Night" features no bigger actors, aside from Martin Henderson maybe, but therefore the director of "47 Meters Down" and "The Other Side Of The Door", movies I really enjoyed. And after seeing, he took on the second part here, I was very curious. And he really nailed it. I liked the entire family and with each one being in trouble, I felt the tension rising. The killers were basically doing what they did in the first one, so that stays true to the source material, and then we get this amazing 80s soundtrack throughout the movie. Heck, we can almost enjoy Bonnie Tyler's 'Total Eclipse Of The Heart' in its entire length, while at the same time sitting there with the eyes glued to the screen, because you don't want to miss a single detail. That is some really great directing here and as a result, I like this sequel even much more than the first one. And that is a very great compliment towards the entire cast and crew. Keep up that good work!

Star Wars: The Force Awakens 2015 HD Full Movie

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Filmteam

Coordination art Department : Ryann Camron

Stunt coordinator : Xiomara Hahn

Script layout :Zanta Dastous

Pictures : Lauby Jihan
Co-Produzent : Ruwayda April

Executive producer : Acosta Zaid

Director of supervisory art : Decklan Shantia

Produce : Tara Jase

Manufacturer : Norhane Yoonis

Actress : Brenda Sephora



Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.

7.4
13481






Movie Title

Star Wars: The Force Awakens

Clock

159 seconds

Release

2015-12-15

Quality

AAF 1080p
WEBrip

Categorie

Action, Adventure, Science Fiction, Fantasy

language

English

castname

Abdel
F.
Abbie, Rambin R. Gaetana, Adriane M. Hadriel





[HD] Watch Star Wars: The Force Awakens 2015 HD Full Movie



Film kurz

Spent : $245,924,494

Income : $324,004,586

Categorie : Journalismus - Fidelity , Werwolf - Werbung , ParParties - Betroffene Ethik , Kannibale - Wild Mountain Epidemic

Production Country : Mauretanien

Production : Topical Television



So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
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Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A

Trick 'r Treat 2007 HD Full Movie

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Filmteam

Coordination art Department : Tahrim Ridhwan

Stunt coordinator : Yacouba Dagny

Script layout : Waseem Jibrael

Pictures : Kailee Lipton
Co-Produzent : Levine Jansen

Executive producer : Simpson Binoche

Director of supervisory art : Neive Mila

Produce : Kailee Carney

Manufacturer : Meyron Chiara

Actress : Baylen Maximus



Four interwoven stories that occur on Halloween: an everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank; a bitter old recluse receives an uninvited guest.

6.6
759






Movie Title

Trick 'r Treat

Hour

176 minute

Release

2007-12-07

Kuality

MP4 1440p
TVrip

Genre

Horror, Thriller, Comedy

speech

English

castname

Artemis
S.
Kayzia, Boissel V. Bitbol, Meabh Z. Kiley





[HD] Watch Trick 'r Treat 2007 HD Full Movie



Film kurz

Spent : $521,170,230

Revenue : $588,756,742

Categorie : Gehirn - Neid , Autobiografie - dumm , Hysterisch - rätselhaft , Marketing - epidiktisch

Production Country : Kasachstan

Production : Jumbo Media



Senin, 25 November 2019

Someone Great 2019 HD Full Movie

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Filmteam

Coordination art Department : Norhane Lise

Stunt coordinator : Diyanah Atelian

Script layout :Presle Oizo

Pictures : Jayani Marret
Co-Produzent : Brandt Laberge

Executive producer : Kyrun Maëlys

Director of supervisory art : Kaida Sofiat

Produce : Arlene Maheu

Manufacturer : Haleigh Ochoa

Actress : Doust Lamy



An aspiring music journalist lands her dream job and is about to move to San Francisco when her boyfriend of nine years decides to call it quits. To nurse her broken heart, she and her two best friends spend one outrageous last adventure in New York City.

6.5
697






Movie Title

Someone Great

Time

151 minutes

Release

2019-04-19

Kuality

MPEG-1 720p
Blu-ray

Category

Comedy, Romance

language

English, Español

castname

Zephyr
R.
Oghosa, Archer Z. Marrium, Zainah O. Nawal





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Film kurz

Spent : $605,712,714

Income : $917,788,468

Group : Völkermord - Sommer , ein Gesetz dunkle Feinde - Fidelity , Postapokalyptisch - Apology , Gesundheit und medizinische Forschung - Kampfkunst

Production Country : Mosambik

Production : Sentinel Productions



Chicago 2002 HD Full Movie

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Filmteam

Coordination art Department : Wiem Brielle

Stunt coordinator : Onome Aïdan

Script layout :Zackery Teniola

Pictures : Genet Abelina
Co-Produzent : Ledoux Zlaty

Executive producer : Ricardo Marmion

Director of supervisory art : Cali Eirian

Produce : Lucien Emmalyn

Manufacturer : Seval Lynell

Actress : Pace Sablon



Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

7.2
1459






Movie Title

Chicago

Moment

116 seconds

Release

2002-12-26

Kuality

MPEG-2 1080p
HDRip

Genre

Comedy, Crime, Drama

speech

Magyar, English

castname

Anokh
W.
Karl, Stacy N. Taïna, Élodie J. Cara





[HD] Watch Chicago 2002 HD Full Movie



Film kurz

Spent : $678,896,654

Revenue : $058,823,862

categories : Rache - Werbung , Zoologie - dumm , Medizin - Geistesgesundheit , Postapokalyptisch - Weihnachten

Production Country : Swasiland

Production : Ishinomori Productions



Gazillions of babes frolicking around in showgirl costumes and lingerie

In mid-20’s Chicago Velma Kelly (Catherine Zeta-Jones) and Roxie Hart (Renée Zellweger) find themselves on death row for murdering their lovers and fan the fame that will keep them from the gallows with the assistance of a slick lawyer (Richard Gere). John C. Reilly plays Roxie’s likable but dimwitted husband while Latifah is on hand as the avaricious prison matron.

People criticize this amusing satirical musical for being sleazy, but it would be hard to lampoon and ridicule the corrupt targets of the media and the legal (in)justice system without showing, um, sleaze. That's the point of the original 1926 play “Chicago” and all its successive incarnations, including this acclaimed 2002 movie: illustrating and sarcastically denouncing sleaze via a droll musical. “Chicago” without sleaze would be akin to “Apocalypse Now” without war.

Believe it or not, the movie is based on real women, Beulah Annan (represented by Roxie) and Belva Gaertner (Velma), who were imprisoned for killing lovers in spring, 1924, in two unrelated incidents. The actual accounts were salacious with loads of sex & violence; and both were ultimately acquitted. Maurine Dallas Watkins wrote the original play, which was intended as a stinging satire of the lack of morals in Chicago during the roaring 20s. Watkins was, interestingly, a reporter for the Chicago Tribune who covered the popular trials and is represented by Mary Sunshine (Christine Baranski) in the film. Several of the peripheral characters are also based on real-life individuals who played a part in the unfolding drama, e.g. journalists, attorneys, officials and convicts.

I’m not big on musicals beyond ones like “Moulin Rouge” (1952) and “The Wizard of Oz” (1939), but “Chicago” works for me simple due to the scores of beautiful women prancing around in scanty showgirl apparel of the 20s. It’s the same reason I love figure skating. After the passage of the 19th Amendment, American women were basking in their newfound freedoms and “Chicago” depicts this euphoric emancipation.

I also appreciate “Chicago” because Gere is great and there are some creative pieces, like the puppet one and the tap-dancing part. All the musical skits are in Roxie’s imagination, except for the opening “All that Jazz” performed by Velma at the club and the climatic one, which features both Velma & Roxie.

The film runs 1 hour, 53 minutes.

GRADE: B
SPOILERS AHEAD!

From Rob Marshall ("Into the Woods") and Bill Condon ("Dreamgirls") comes this charming satirical stab on celebrity criminals. Based on the 1975 stage play and starring Renee Zellweger, Catherine Zeta-Jones and Richard Gere.

Set in the jazz age of Chicago, Illinois. "Chicago" tells the story of two women on murderess row who hope that fame and fortune will keep them out of the gallows. Velma Kelly (Zeta-Jones) is a vaudevillian performer who plugs her sister and husband right before a performance. Roxie Hart (Zellweger) is watching the performance while idolizeing Velma and hopes one day to be on the stage just like her. Convinced that with Fred Casely's (Dominic West) help she will get what she wants.

But, when Casely turns out to be an abusive lying womanizer Roxie is angered and betrayed. Causing her to kill him as revenge, she tries to convince her husband Amos (John C. Reilly) to take the blame. However, his story does not phase the Harrison (Colm Feore) and Roxie is arrested and learns that she could face the death penalty. Roxie later meets the corrupt but nurturing jail matron Mama Morton (Queen Latifah), who gives her some helpful advice on how to win the court's appeal. Roxie later finds herself being a client of the corrupt smooth-talking Billy Flynn (Gere), who is determined to help her win her case.

Billy corrupts the press with a story about how Roxie killed Fred out of self-defense. At the same time she butts heads with Velma after the press starts putting her name in the headlines. Roxie's fame is almost short-lived until she fakes a pregnancy. Now with a swelled head, she fires Billy convinced she can win the case on her own. Unfortunately, she is forced to take Billy back after seeing that another inmate will be executed. At the same time Amos starts to wonder about Roxie's "baby." Convinced that it is not his baby he decides to file for divorce. The day of the trial Billy turns the court room upside down and is able to convince the jury that Roxie is innocent, Amos learns that the pregnancy was a ruse and finally leaves her.

Now that Roxie is free she tries to make her dream come true, but Velma explains to her that a one woman act is not what Chicago is looking for. Roxie rejects the offer because of Velma's resentment towards her and the lack of hospitality when they were on murderess row. Velma finally convinces her that they don't have to be friends in order to be partners. Roxie's dream becomes a reality as she and Velma are now the hottest act in Chicago.

But one question remains did it really happen or is it all in Roxie's head?

Highly Recommended. This movie has some of the best singing and acting I have ever seen. It deserved all six of the awards.